Poppy: They're All Around Us
House of Protection
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Event Info
Brooklyn Bowl Nashville
925 3rd Avenue North
Nashville, Tennessee 37201
This ticket is valid for standing room only, general admission. ADA accommodations are available day of show. All support acts are subject to change without notice. Any change in showtimes or other important information will be relayed to ticket-buyers via email. ALL SALES ARE FINAL Tickets purchased in person, subject to $3.00 processing charge (in addition to cc fee, if applicable). Sales Tax Included *Advertised times are for show times - check Brooklyn Bowl Nashville website for most up-to-date hours of operation*
Artist Info
Poppy
I Disagree was a decisive document of her progression from internet phenomenon to musician of unparalleled aplomb, yielding critical acclaim in the form of cover stories for NME, Revolver, Kerrang!, Upset, TUSH and inclusion on several best of 2020 lists (#1 Upset, #12 Revolver, #19 Popbuzz, #23 Kerrang, etc.), as well as a GRAMMY nomination for Best Metal Performance (BLOODMONEY), making her the first solo female artist ever nominated in the category.
Poppy premiered the title track from EAT (NXT Soundtrack) in an iconic performance for the GRAMMYs that left fans begging for more until the EP's surprise release as part of a major televised event in partnership with WWE.
She followed the EAT EP with the single Her on June 30, 2022 to much acclaim for both the song and its innovative music video.
Outside of music, Poppy also became the face of Viktor and Rolf's blockbuster fragrance Flowerbomb with L’Oreal and recently launched 2 pairs of signature shoes in collaboration with KOI Footwear. She has also released two graphic novels, Genesis One & Poppy's Inferno and her short film, I'm Poppy premiered at the 2019 Sundance Festival.
House of Protection
House of Protection, the new venture from Stephen Harrison and Aric Improta, serves as a sanctuary for those who surrender to impulse. Abandoning any regard for tradition and form, they followed a feeling and unearthed a sound that sees them push their limits further than ever before. Bridging the not-so-disparate worlds of hardcore, electronica, and punk, they forged a space for boundless creativity and a community fueled by chaos.
Between their shared experience with Fever 333, Aric’s ongoing work with experimental rock group Night Verses, and Steve’s turn as guitarist for iconic post-hardcore band The Chariot, the pair are renowned in the world of heavy music for never being afraid of extremes. House of Protection is a continuation of that unabashed self-expression, bottled into a snarling vessel of anger, uncertainty, joy, and creativity.
“We wanted to create something where all our ideas, no matter how wild, felt safe,” says Steve. That’s the foundation for which House of Protection was built upon, arming their audiences with a level of fearlessness and bliss that blurs the line between the crowd and the performers. Inspired by the likes of The Smashing Pumpkins, The Prodigy, Alice Glass, Massive Attack, Cocteau Twins and Sleigh Bells, the pair were drawn to bands that invented their own way to bring a certain energy to the stage.
Teaming up with close friends Nick DePirro (Night Verses) and Jordan Fish (Bring Me The Horizon), they created the sprawling, urgent debut single ‘It’s Supposed To Hurt.’ “We knew it wasn’t going to be easy to start again from scratch but that phrase became our ethos. Starting again was the whole point of this,” offers Aric. House of Protection thrive in the margins of unpredictability, where anything goes and all are invited. Welcome home.